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The postpunk 80s underground. A none official release i just made this for my self but i decided to shared to everyone' all of the tracks from this compilation was been posted before' but some of the links from the postpunk blog was been deleted' so i decided to post this cd hope you like this postpunk new wave goth compilation enjoy. Murder Punk - Vol 1 & 2 I've yet to find a better punk rock compilation than this. It's a bootleg with a dubious and somewhat tasteless background. Titled 'Murder Punk', it has an address for Martin Bryant (Port Arthur, Tasmania). Newer Post Older Post Home. Subscribe to: Post Comments (Atom) Image. Search This Blog. Mr Wired and Wasted Wants.
Classic hardcore from Tulsa, Oklahoma. None of the Above existed between 1979 and 1987, and released some great thrashy hardcore punk records and comp tracks during that time.
This is a collection of most of the band's recorded material between 1983 and 1986, excluding the Live at the Crystal Pistol demo (a set recorded at a cowboy bar on 'punk night' on 1/11/83) which was later re-issued with bonus tracks by Prank Records. It's still in print. They also put out a 'garage practice' style demo in 1982 called Out on the Pavement, which they immediately scrapped after giving some out to friends.
Three of the tracks from that tape made it on to the re-issue of Live at the Crystal Pistol CD. Aside from those 2 demos, the only tracks missing here would be their tracks on the Birth Defect compilation tape, which seems to be impossible to find. So here you go, 39 tracks in 79 minutes. All great quality. Jeff Klein - vocals/guitar Russel Love - guitar Bruce Hendrickson - bass Bob Purdom - drums Dave Scum replaced Jeff on vocals for the 1986 demo. The first track on this collection is from the international punk compilation Welcome to 1984, originally released by Maximum Rock 'N' Roll. Apparently MRR loved the band's Live at the Crystal Pistol demo so much, they used the song Propaganda Control from that tape.
Shared the comp with The Crucifucks from Michigan to represent the US. I'd say using the band's live demo track from '83 on the Welcome to 1984 comp is a testament to the band's greatness. This song was ripped from the re-issue CD put out by Sonic Reducer Records. Next up is the band's first 7' Moscow, released in 1984 on Unclean Records. This is my personal favorite, just loads of energy, a raw production, and the title track is just a classic.
Good sound quality. Not perfect, but it fits these recordings perfectly. After that is the band's follow-up 7' Toy Soldiers on Rabid Cat Records, also released in '84. Sound is great on this one, as it was ripped from the CD compilation Punk Territory Vol. 3: US Hardcore 1981-1984. The entire Punk Territory series is excellent, so find them if you can.
Next is the bands vicious tracks from the Empty Skulls tape, followed by the self titled LP from 1985. I love this album.
Just the perfect combination of thrashy hardcore and punk anthems with a great production. To me it plays more like a compilation rather than a cohesive album, but some of the band's most powerful stuff is on here. I spent some time on this one, cleaning it up as much as possible, so the sound quality is great. Ending this collection are some rarities i recently came across.
Two unreleased tracks from the LP sessions, and a demo from 1986. For more info on these recordings, check out blog. And to top it all off is a cover song (by a band i've never heard of called Brown 25) recorded live at the Lawrence Opera House on 12/01/84 (by Jason Willis). You can hear that entire live set.
After the initial 1979-1987 lineup, the band reformed in 1993 with mostly new members, and released a bunch of albums. Maybe one day i'll check them out.
Anonymous, i want to respond to your post a bit more, only because you started it with 'For the record.' As if it was fact, and i don't want too much mis-information regarding this band to stem from this blog. When you say Jeff, i'm assuming you meant Jeff Klein and not Jeff Bale. I'm also assuming you know him personally or maybe read this in an interview. Can you be more specific about him hating the comp? I understand that MRR would want to choose a more unheard of band to expose on the comp, but there were hundreds of obscure bands in the '80s, so it's safe to say the people invloved in making the comp liked what they heard from N.O.T.A.
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Enough to include them, as opposed to just throwing them on the comp for the sake of them being more on the unknown side of HC. As far as them being on dozens of comps. I can't possibly claim to know all the tape comps that were making the rounds in the '80s, but the only ones i remember are the same 2 that are listed on their discography. Maybe they contributed a live or demo track to a few other tapes here and there, but i'm sure any exclusive tape tracks would be documented somewhere. Hopefully you can elaborate.
I'm only responding to this because i was trying to be as accurate as possible with this comp as far as release dates, and other info, which was tough with N.O.T.A. Because just about every source will give you a different date for just about every release. Even the Kill From the Heart site (which is usually pretty accurate), had just about all the dates wrong for the early N.O.T.A. Material besides the 1985 LP. They even have the Live at the Crystal Pistol demo as being released in '82, which is impossible as the show was recorded in January of '83. They also have the Moscow 7' as being released in '82, even though every other source says the Crystal Pistol tape pre-dates all the vinyl. Anyway, i tried to be as thorough as possible with the years.
I would appreciate if anyone would correct anything that may be wrong.